Prepare to be spellbound! Patrick Redford unveils Craig Logan’s Nick at Night, a mentalism masterpiece. Bank Night meets Russian Roulette in a dazzling display. A razor’s edge, numbered envelopes, and pure magic! Perfect opener or closer? Witness the illusion!
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Craig Logan’s Nick at Night by Patrick Redford
Discover the magic of Craig Logan’s Nick at Night, a masterful creation by Patrick Redford that blends the thrill of Bank Night with the suspense of Russian roulette. This unique mentalism piece is designed to captivate your audience, whether you’re performing live or virtually.
Nick at Night is not just a trick; it’s an experience. Here’s what makes it stand out:
- Versatile Performance: Perfect as both an opener and a closer, it sets the tone or leaves a lasting impression.
- Engaging Plot: A group of numbered envelopes, audience interaction, and a dramatic reveal with a real razor blade.
- Endorsed by Patrick Redford: “Craig Logan’s Nick at Night is the only item in my show that I didn’t create. I love it.”
Imagine holding a group of numbered envelopes in your hand. Audience members call out numbers, and as each envelope is selected, you crush it into a small ball and toss it aside. The tension builds until the last envelope is opened, revealing a sharp, real razor blade. The envelope is sliced up for a dramatic finish that will leave your audience in awe.
Is Nick at Night the perfect opener or the perfect closer? The choice is yours, but one thing is certain: it will elevate your performance to new heights.
Patrick Redford presents Craig Logan’s Nick at Night
Nick at Night combines Bank Night and Russian roulette to make everyone win.
Is it the perfect opener or the perfect closer? You decide.
“Craig Logan’s Nick at Night is the only item in my show that I didn’t create. I love it”
– Patrick Redford
Whether you’re performing live or virtually, Nick at Night is bold enough to open a show. It’s also strong enough to close an entire show with.
Craig Logan has blended together two plots to create the perfect piece of mentalism.
Here’s what happens:
A group of numbered envelopes are held in the performer’s hand. Audience members call out the numbers on all but one of those envelopes. After each envelope is selected, the performer crushes it into a small ball with his bare hands and tosses it aside. When the remaining envelope is opened, a very sharp (very real) razor blade is carefully tipped out. It is then used to slice up the remaining envelope for a dramatic finish.
Is Nick at Night the perfect opener or the perfect closer? You decide.