Behold! Quit smoking with mentalism & hypnosis, masterfully crafted by Dr. Fabio Tabbo. Experience the impossible, feel the burn, and break free! Uncover the secrets now!
Product information
Stop Smoking Mentalism – Close Up Hypnosis
Discover the revolutionary Stop Smoking Mentalism technique by Dr. Fabio Tabbo, a masterful blend of hypnosis, mentalism, and psychology designed to captivate and transform your audience. This unique performance piece is not just a trick—it’s an experience that leaves a lasting impression.
What You’ll Experience
In this mesmerizing routine, a spectator is invited to participate in a stop-smoking hypnosis experiment. They’ll vividly visualize smoking an imaginary cigarette, complete with the sensations of smoke, taste, and even the sharp burn of stubbing it out. The effect is so real, it’s unforgettable.
Why Choose This Routine?
- No Setup Required: Perform it anywhere, anytime—no pre-show, no assistants, no gimmicks.
- Versatile: Perfect for intimate gatherings or large stage shows.
- Masterful Techniques: Combines mentalism, hypnosis, NLP, and psychology for maximum impact.
- Proven Script: A polished routine honed over thousands of performances.
What’s Included?
This comprehensive guide dives deep into advanced techniques like adjunctive suggestions, embedded commands, and misremembering. Whether you’re a beginner or a seasoned performer, you’ll gain insights that elevate your craft and create memorable experiences for your audience.
What the Experts Say
“I was amazed by the depth and quality of his thinking… I can’t recall the last time I saw something explained so well.” – Michael Ammar
“Fascinating and well thought-out. Wonderful stuff.” – Banachek
“A unique perspective in audience control, pacing, and staging. I was riveted.” – Marc Salem
Author: Dr. Fabio Tabbo‘
Effect: A spectator is asked to participate in an experiment of stop-smoking hypnosis. She pretends to smoke an imaginary cigarette, and feels as if a real one was being used: she vividly visualizes its gray smoke, smells and tastes the tobacco, feels like coughing, etc… She then brings this invisible cigarette closer to her hand, causing a noticeable warming sensation; and when she finally decides to stub it out on her hand, she feels a sharp burn!
You can present the effect under any conditions: it seems completely impromptu and gimmickless, with the performer away at all times.
KEY POINTS
No pre-show, no prepping of spectators, no warm-up round (the effect can be used as an opener), no advance work, no preparation of the physical environment, no assistants, obviously no stooges (not even instant stooges); the effect can be presented on the spot for an audience of complete strangers, in virtually any conditions, from intimate performances in your friend’s living room to full stage shows.
Tons of techniques drawn from the fields of mentalism, hypnosis, magic, psychology, linguistics and NLP have been thoroughly explained and – more importantly – applied to the effect: from adjunctive suggestions to embedded commands, from secret gimmicks to misremembering (an entire chapter called “Thirteen Steps to Misremembering” is devoted to the subject), everything has been included. Independently from your current level of skill or knowledge, this detailed approach will allow you to learn faster and save years of study and experimentation, maximizing the potential of your presentations and making the difference between good effects and MEMORABLE experiences for your audience.
This practical method, coupled with a masterfully-crafted script honed over thousands of performances, will allow you to deliver a fast-paced, audience-centered and “surefire” routine of killer hypnotism.
“I was amazed by the depth and the quality of his thinking… I can’t recall the last time I saw something explained so well, and backed up by such clarity of thought.”
Michael Ammar
“I am fascinated with it… I pick it up often and just dive into wherever I open the book, and there is some fascinating reading here. Fabulous.”
Doc Eason
“The work is not only a complete act, but a unique perspective in audience control, pacing, and staging. I was riveted.” Marc Salem
“I was fascinated by the intriguing and well thought-out writing style. Wonderful stuff. Can’t wait for your future endeavors.” Banachek
