Prepare to be amazed! Luke Jermay’s “Distractions” unveils billet techniques honed over a decade. Unlock minimalist mentalism, essays, and a bonus prop presentation! A magician never reveals all secrets, but this one does with a sprinkle of illusion. The description is 155 characters.
Product information
Master the Art of Billet Techniques with Luke Jermay’s Distractions
Discover the secrets behind some of the most compelling mentalism performances with Luke Jermay’s Distractions. This must-have PDF compilation brings together three meticulously refined routines that utilize billets, honed over a decade of Luke’s professional engagements around the globe. Whether you’re a seasoned mentalist or just starting out, these routines are perfect for enhancing your craft and captivating your audience.
What’s Inside?
- Three Core Routines: Learn innovative billet techniques that have been a highlight at various magic conventions and workshops worldwide.
- Bonus Insights: Enjoy two thought-provoking essays, originally published in Genii Magazine, interspersed throughout the routines to provide valuable breaks and fresh perspectives.
- Exclusive Bonus Section: Gain access to Luke’s personal take on a popular commercial mentalism prop, adding another layer of depth to your performances.
Luke Jermay’s Distractions is more than just a manual; it’s a portal into the deeper artistic possibilities of mentalism. Whether you aim to polish your skills or transform your approach to performances, this guide is an invaluable resource. Add this essential volume to your collection today and start weaving some magic!
Description
In this slim volume I have collected three routines utilising billets from my own performance work; drawn over a period of more than ten years.
I have chosen to group these routines together in one volume at the request of many mentalists I have met during my appearances at magic conventions, workshops and masterclass events across the globe.
I also took this as an opportunity to update and add to these routines since first writing them up. In the interest of variety I have broken up each of these routines with two very short essays and thoughts; you will spot these essays as they are all labelled as distractions in their titles; sometimes in these sections there is a trick; other times there is not; these essays are taken from my series of essays published in Genii Magazine several years ago and appear here unchanged.
I hope they will give you a break from thinking about folded pieces of paper, index cards, centre tears, envelopes and billets in general and that they might present some interesting notion you have not considered before.
Finally this volume concludes with a ‘bonus’ section; my personal premise and presentation for a popular commercially marketed prop.
I hope you find something in this slim volume to add to your own performances; I sincerely; and off trend in the current mentalism mainstream, believe that a good solid understanding of billet technique is at the heart of strong, minimalist and utility focused performance tools. Billets offer the performer a great utility tool; often the tools and techniques can be transferred from casual performance to the stage with nothing more than adapted staging and blocking.
