Ebook - The Journal of Psience by Michael Weber (Vol 1 – Issue 4 ) (Digital Download)

Unveiling the Power of 'Color Match'

Step into the intriguing world of mentalism with 'The Journal of Psience, Vol. 1 – Issue 4' by the esteemed Michael Weber. This digital download delivers a profound exploration of 'Color Match,' an effect that has captivated audiences and practitioners alike for decades. Journey back to its origins with Tony Anverdi in the early 1980's, then witness its masterful revival by Craig Filicetti 30 years later. Issue Four dissects why 'Color Match' stands as a cornerstone of modern mentalism, offering an unmatched degree of spectator freedom and participation that few other routines can provide. Prepare to elevate your performances with an effect known for its guaranteed, powerful punch – a drawing duplication based on colors that consistently astounds.

Beyond the Stage: Informal Innovations

This issue doesn't just refine classic techniques; it expands their horizons. Dive into exclusive bonus material that takes 'Color Match' outside the traditional performance space. Imagine leveraging everyday items, like the small boxes of crayons found in restaurants, to create impromptu miracles. Michael Weber guides you through innovative approaches, demonstrating how a clever performer can transform casual settings into unforgettable moments of wonder. This creative adaptation not only broadens your performance opportunities but also showcases the versatile genius behind the 'Color Match' principle.

Exclusive Insights from Michael Weber

Beyond the core effects, 'The Journal of Psience' offers a unique window into Michael Weber's brilliant mind. This issue features select offers of items and insights that have previously been exclusive to attendees of prestigious events like The Genii Convention in Orlando and Mindvention in Las Vegas. These are not merely tricks; they're lessons in the art of performance, psychological subtlety, and audience engagement. Recalling the solid applause and positive commentary for 'Day for Any Date' from Issue One at Mindvention, it's clear that the material within these pages is designed to generate genuine amazement and foster a deeper understanding of mentalism.

Preserving the Live Experience

Please remember, this invaluable material is shared with the intention that you perform it live. To preserve the unique magic of direct, unmediated experiences, performances of any content from 'The Journal of Psience' are strictly prohibited on television, cable, YouTube, or any other broadcast, live-streamed, or recorded format. Let's keep live experiences alive and continue to foster the intimate, personal connection that defines truly impactful mentalism. Your purchase grants you the right to perform these incredible effects in person, enhancing the wonder for your direct audience.

Original Specs

Issue Four of the Journal takes a second look at Color Match which has become one of the most favored effects in magic and mentalism. Tony Anverdi started it all back in the early 1980’s and 30 years later, Craig Filicetti revived the method and effect with a vengeance. Few effects offer the same degree of spectator freedom and participation. Even fewer routines provide the guaranteed punch of the color-based drawing duplication. This month’s bonus material moves outside the lines and reexamines the Color Match effect and procedure in an informal context. Many restaurants offer a small box of crayons to amuse their youngest guests, a practice of which the clever per-former can take advantage. Finally, be on the look out for a few select offers of items which have only been available at recent conferences like The Genii Convention in Orlando and the Las Vegas based Mindvention (where a stage performance of the Day for Any Date from Issue One generated solid applause, much positive commentary, dozens of inquisi-tive mentalists and a healthy increase in the number of Psience members.) Please remember that this material is being shared so you can perform it (as long as you do not perform it on television, cable, YouTube or any other broadcast, live streamed or recorded format. Let’s keep live experiences alive.)