Unlock Unprecedented Prop-less Mentalism
Step into the extraordinary world of Fraser Parker's 'ALL THAT IS LOST,' a collection of revolutionary prop-less tools, concepts, and effects previously available in a highly limited hardback edition. This digital download grants you access to Fraser's latest breakthroughs, designed to elevate your mentalism performances to levels you once thought impossible. Praised by experts like Matt Overd for reaching 'a higher level' and Ross Bartels for its 'beautiful illusion of choice,' this material promises to expand your repertoire and challenge your perception of what's achievable without props.
Revolutionary Thought Divination
At the heart of 'ALL THAT IS LOST' lies Fraser's groundbreaking work on the 'BRACELET CODE' (or DE BRUIJN CYCLE). Imagine verbalizing a list of items, having a spectator merely focus on one, and effortlessly knowing their exact thought—no props, no extensive process, just a few lines of clever scripting. This isn't just a rehash of an old principle; it's been meticulously adjusted and optimized for the prop-less genre, allowing you to divine anything from thought-of objects, drawings, emotions, and memories to colors and numbers. You'll also learn a breakthrough prop-less application of binary to perform Art Vanderlay's 'THOUGHT TREE' memory divination without a single question asked. This versatile method can even be reversed, transforming your spectator into a mind reader or enabling precise item forcing.
Subtle Information Gathering with Eye Close Cues
Fraser Parker also unveils his updated scripting and expanded insights on 'EYE CLOSE CUES.' This ingenious methodology allows you to extract two distinct pieces of information from a single visualization process. For instance, you can effortlessly guess a spectator's star sign by subtly guiding them to visualize an aura color. The beauty of 'EYE CLOSE CUES' lies in its silent execution: through the masterful use of language and hidden cues, you gather critical information without the spectator uttering a word, creating the illusion that you simply know their deepest thoughts as soon as they open their eyes. It's a powerful standalone effect and a potent tool for gaining leverage in various routines.
Mastering the Prop-less Color Force
Included in this profound collection is an ingenious, entirely prop-less method for forcing specific colors. You'll create the compelling illusion that the spectator has a completely free choice, whether focusing on a primary color or mixing two to form a secondary one. Yet, their selection is subtly controlled by your precise language and scripting. This elegant solution is so streamlined it 'flies right past' observers, ensuring everyone is genuinely fooled. It's a fantastic utility method, perfect for revealing a thought-of color or using it as a building block for further revelations or forces, allowing you to perform effects similar to Matt Mello's 'PYSTEM ONE' without memorization.
Advanced Audience Interaction and Equivoque
Beyond these core concepts, 'ALL THAT IS LOST' delves into Fraser's updated 'PIGS MIGHT FLY' routine. This offers a streamlined, theatrically robust spectator-as-mind-reader effect where your audience can guess information you've written down beforehand. Crucially, there are no switches or secret writing, and the prediction can remain visible throughout the performance. Imagine a spectator correctly guessing your star sign, a name you're focusing on, or even PIN numbers. Fraser concludes by sharing his latest version of 'PERFECT EQUIVOQUE' with a deck of cards, a powerful number force, and much more. This comprehensive work is a testament to Fraser Parker's relentless pursuit of pure, deceptive mentalism.
Original Specs
Fraser Parker - ALL THAT IS LOST ( Instant Download )
Propless Hardback book. Limited to 50 copies
“Fraser has been on a role recently and ALL THAT IS LOST continues with this trend. I’ve always loved everything Fraser released in the past but lately I feel he’s reached a higher level. This release contains various tools and methodologies which are only limited by your imagination and will help elevate your performances to levels you never thought possible.” — Matt Overd
“Beautiful … it is the illusion of choice that I really like about it.” — Ross Bartels (on the colour force)
ALL THAT IS LOST is a hardback book containing a collection of prop-less tools, concepts and effects from the mind of Fraser.
It includes his never before seen work on what is known as a BRACELET CODE or DE BRUIJN CYCLE.
The performer verbalises a list of items from the subconscious mind of the spectator. The spectator chooses a few of these items then further narrows down their choice by merely focusing on whichever item stands out to them. There is no process other than the spectator focusing their conscious mind on items of their choice, yet with this method which utilises only a few lines of scripting, the performer is always able to know which item has been chosen by the spectator.
Yes, it really is that simple!
This older principle which would usually rely on the use of business cards has been adjusted and optimised for use within the prop-less genre, so that you are able to always effortlessly guess whatever the spectator is focusing on, without any props. This can be used to guess thought of objects, drawings, emotions, memories, colours, numbers and more …
Fraser teaches how to use this breakthrough prop-less application of binary to perform a version of Art Vanderlay’s THOUGHT TREE memory divination, without any questions needing to be asked.
It can also be used in reverse to create a spectator as mind reader effect or as a way to force specific items. This is a sure fire solid prop-less method that works based on a hidden mathematical principle.
In this limited book Fraser also teaches his updated scripting and expanded work on his EYE CLOSE CUES. This will allow you to get two pieces of information for the price of one, within the same visualisation process. It can be used as a tool to gain leverage in many different routines or performed as a stand alone effect, due to the structure and its built in scripting.
The basic use for this is a star sign guess. However, other effects are possible.
You instruct the spectator to close their eyes and visualise whichever colour out of red or blue is relevant to their sign under the guise of the spectator working out their aura colour. This can be based on whether they were born in a warmer or colder season (or a different label can be applied for better accuracy). They then mix their thought of colour with the colour yellow, if this is applicable to their sign. They visualise their thought of colour then open their eyes. You will now automatically know their thought of aura colour and be able to guess their star sign, without the spectator ever having said a word.
Fraser prefers to use the primary colours as a mental colour palette, where the spectator either focuses on a single colour or mixes two together, as a way for him to gain access to other thoughts. However, any labelling can be used providing the spectators can visualise this information with their eyes closed.
This is a completely silent way to obtain information utilising hidden cues. The subtle use of language does all of the work for you and ensures everything stays hidden via perception. It looks like you simply ask the spectator to close their eyes and focus on whichever aspects of their thought are relevant and then as soon as they open their eyes, are able to know all of the information they were just focusing on.
There is also an ingenious way to force specific colours entirely prop-less included in this work. The performer creates the illusion that the spectator could think of any colour by either focusing on one of the primary colours or mixing two colours together to create a secondary colour. They appear to have a completely free choice. Even so, their choice is subtly controlled by the specific words and scripting you use. It is the apparent freedom of choice created by your language and seemingly open and fair selection process that does all of the work for you. This is a beautifully elegant solution which has been streamlined as much as possible to allow it to fly right past those who watch you perform. Everyone is fooled and everything looks as it should. It is a great utility method. You can either reveal the thought of colour or use it as a building block to reveal or force other thoughts.
It allows you to perform a similar effect to Matt Mello’s wonderful PYSTEM ONE effect, without the need for you to memorise anything.
The performer lists objects that have different colours and instructs the spectator to focus on whichever object relates to their thought of colour and is able to subsequently guess the correct colour and object.
He also teaches his updated PIGS MIGHT FLY routine which utilises a more streamline, theatrically sound version of the force. This will allow you to create various different spectator as mind reader routines where the spectator can guess whatever information you have written down ahead of time. There are no switches or secret writing and the prediction can even be left with the spectator throughout the entire performance. Even with these restrictions, the spectator will still be able to successfully guess your actual star sign, the name you are focusing on, as well as pin numbers and other thoughts from different categories.
Fraser also shares his latest version of PERFECT EQUIVOQUE with a deck of cards, a number force and more.
This hardback book release of ALL THAT IS LOST is limited to only 50 copies. Pre Order now to secure your copy.
